weekly film- We need to talk about Kevin
We need to talk about Kevin is a psychological thriller film
directed by Lynne Ramsay. The film took 5 years to make, production started in
2005 and commenced in 2010. In 2005 BBC films acquired the rights to adapt the
book to a film. There was a long delay in production due to BBC Films having
difficulty funding the high budget; Ramsay rewrote the script so the film could
be made for a lower cost. However, The UK Film Council awarded £18,510 to the
production from its development fund in the same month. In addition financial
backing was also provided by Footprint Investments LLP, Caemhan Partnership LLP
and Lipsync Productions, and production is in association with Artina Films and
Forward Films.
In this film the mise en scene has been very closely looked
at, the main charter Kevin is shot in colours throughout the film that link to key advents later on , for example within the set of Kevin’s room there is red a
yellow, also the a lot of the time he is wearing red or yellow, this links to
props later on such as the yellow bike lock, this micro feature is only visible
later on.
We mainly see the film from the mother’s perspective;
therefore you could say she is the protagonist in the film, even though the
film is based around Kevin’s actions from a young age. The fact we see this
unfold from this characters perspective makes the audience adapt to the same
mind set, from the start we notice something isn’t quite right with his behaviour.
Additionally you could say that themes of irony are used in the film. This is
because throughout the film the character Kevin is portrayed as not liking his
mother but at the end of the film she is the only member of the family who
wasn’t killed.
The film does not structure itself in chronological order
the scenes are moved around to confuse the audience as they are left unsure at
times if the advent on screen happened in the past or future. This could connote to the characters Kevin’s
mind set as his mental wellbeing seems to be all over the place. The order of the film gives the audience a
slight insight to the idea that something has happened, although we have no
clue what it is. In the opening scene we see a long shot of a door and a
curtain blowing in the wind, this is also repeated at the end of the film, till
then the audience does not see the significance in the curtain. To add to this
the cinematography in the film is used to tell us what happened in one shot. We
see a yellow bike lock on the door which is immediately link to Kevin, we then
realise he is responsible for this. The fact that the prop was yellow made It
stand out even more as it was more noticeable to the audience due to the bright
colour. This is then later confirmed when we see other characters come out of
the school with arrows in them.
The sound in the end scene is non diegetic, we can hear
screams but cannot see the action that goes with it , this makes the scene more
powerful because it’s up to the audience to make the decide about how bad the incident
was. This links to the school shootings that happen in America at the time the
film was made. It signifies the idea that we will never be able to experience how
the students felt and what they saw unless we are there at the time.
To conclude, the film there are themes of family which is
expressed through the entire storyline, this theme then introduces conflict as
we see that the mother and the son do not get along, this is shown with a long
shot where Kevin sprays her room with red paint.
PICTUREPICTURE PICTURE?????
ReplyDeleteA fair account! You discuss elements of plot, structure, cinematography and performance well. Going forward please include details of what the key creatives came from and or went on to achieve after their work on WE NEED TO TALK ABOUT KEVIN.
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