buster keaton
Buster Keaton: One Week, The Scarecrow, The High Sign, Cops Buster Keaton tends to use long shots to encourage the audience to look around the frame to see the joke, they allow an appreciation of the gag. Close ups usually follow up from this to show the characters reaction. He also tends to shoot face on so he is centre of attention. Keaton does this to highlight the idea that he is the joke and considered a clown; this tends to follow through on most films. In Cops there is a scene where Keaton is depicted in the foreground trying to take nap, a deep focus is used to show us that the city is unfurling in the background. Yet again Keaton is placed in the middle of the frame, this allows the audience to see how interacts with the chaotic and mechanical world. This is a very iconic use of cinematography for Keaton, as he tends to prefer to get everything in one frame, this is because editing in the 20s was considered as deceiving the audience. The sets used in Buster Keaton